Astroworld tragedy reveals cultural shift in music industry – The Ticker

Job insecurity, student debt and political polarization also contribute to the chronic stress of Gen Z.

Additionally, the multitude of traumatic historical events that unfolded in Generation Z’s short life, such as 9/11, mass shootings, and the coronavirus pandemic have made young people incurably nihilistic.

Scott is just one of the many artists who have become famous by capitalizing on this disillusionment and aligning themselves with anti-establishment, anti-traditional and anti-legality. His songs resonate with so many people because they offer an escape from the drudgery of school or a nine-to-five.

Listeners don’t need to strain their imaginations to imagine the utopia in which Scott’s music temporarily transports them, as his latest album concept does for them.

Astroworld, named after a Houston-based theme park that the rap artist frequented in his youth, conjures up images of an alternate dimension, ubiquitous with sex, drugs and money. In this dimension, life is a carnival of chaos and hedonism.

Lyrics such as “And it’s not a mosh pit if it’s not a wound / I got ’em stage divine’ out the nosebleeds,” which can be heard on Scott’s 2018 single titled ” STARGAZING ”. also reinforce the idea that violence is necessary to disrupt daily life, a symptom of social conformity.

Scott’s music preaches hyper-materialism, anarchy and drug addiction as essential to a life worth living. Attending his concert is seated at a pulpit bench.

It is not unimaginable that seeing their idol in the flesh, reciting a gospel that nourishes them in their daily lives, would incite a mad backlash from radicalized fans and cause inappropriate, often barbaric, festival behavior.

A similar phenomenon has occurred during concerts by artists such as Tyler the Creator, Playboi Carti and XXXTentacion, all of whom have experienced riots during their performances in recent years.

In 2015, the University of Queensland conducted a study which concluded that listening to “extreme” music, or chaotic, loud and energetic voices containing themes such as anger and depression, could soothe listeners in their midst. providing a healthy, non-violent outlet for dealing with complex emotions. .

Thus, the practice of extreme moshing, which is an aspect of rage, may have become normalized among the younger generation as it allows them to physically express the anger they feel towards society.

James C. Tibbs